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The installation evokes the fragility of the invisible body, deterioration, and the most fundamental difficulties of communication, thereby causing a shift in viewers, drawing them in from their comfortable position of the outsider. The artist hangs from the facades of galleries all over the world, struggling with gravity, sometimes at a height of ten stories.
The artificial boundaries between reality and the exhibition space must be erased, argues Miljanovic. And while he ponders the troubling discontinuity of life, as well as questions of power, responsibility and truth, he resolutely believes that art is the most important means for resisting totalitarian systems and for achieving political emancipation.