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This consists of using a three-dimensional, object-like wooden box as an image medium, and, instead of utilising traditional painting techniques, applying motifs with such tools, as blades, stencilled-masked surfaces, sprays and rubber rollers. The image surface emerges from a superimposition of paint layers, which requires conscious and planned artistic work. The sense of constructedness, which is conveyed by the paintings, adds an alienating effect to the spontaneity of the snapshots used as their basis.